Springtime, Easter Vacation, and the Pre-Painting Begins...Finally

Believe it or not, these are flesh tones
 (base, warm & cool shadows, and highlight)

I can't believe it's already Wednesday and I haven't started officially painting yet - Easter Vacation is just flying by!  But, yesterday, I updated my playlists with some new songs and headed out to the garage for some of the prep-work.  I always like to start a larger-size project with as many premixed colors as possible so I don't end up running out of something in the middle of painting.  It was my "mad scientist" day - I felt like I should be wearing a lab coat and laughing maniacally when I achieved the right shade.  I will still have a palette for additional mixing and fine tuning of colors, but I should be able to do a lot with these.

Mixed, labeled, and ready to go...

One of the nice things about working in the garage on a sunny spring day is that my littlest gets to play in the front yard (which she doesn't normally get to do).  Although her big sisters are usually with her, there's a nice big window so I can keep an eye on her and she has her boundaries so that she's stays within that window of sight - of course, that's also the window where crane flies go to die this time of year.  They were all over, stuck between the glass and the screen or in webs in the corners.  So, I had to clean up that disgusting mess, too - YUCK!  But, it's fun to see my bouncing beauty enjoying the sunshine.


Now, I can't wait to actually start painting - maybe I'll get to do that tomorrow.  Hopefully, I'll get at least one painting done this week and still have some family time.  In the meantime, my painting looks a little freaky with all of the test spots created as searched for the right base colors, highlights and shadows.

Color test spots making the subject look a bit strange

A Different Perspective...

On this lovely afternoon, I was able to spend time painting.  I realized that the little still life I just painted was OK, but...something about it isn't sitting well with me.  I'm happy to be more comfortable working with acrylic paint, but it's still falling flat.  That contrast that I like to emphasize just wasn't there once the colors dried.  Also, I wanted to try something a little looser now that I'd solved the question of colors and mixing.  So, I decided to try it again from a slightly different angle.

First paint (left) and today's painting (right)

I definitely like the 2nd one better - it has a greater level of contrast and it is slightly looser (although I think total reckless abandon just isn't how I was created to paint).  There's still a little tweaking that I'll do, but it shouldn't change too drastically from this.  One thing that I thought about while painting was how much easier color mixing has become.  In the early days of painting, color mixing was a little confusing - sort of hit or miss.  But now, I have a better sense of whether I should add a blue, a brown, or a black for a shadow; whether I should add a white, a yellow, an ochre, or some other color for a highlight.  I'm actually quite happy with my painting now - I want to have one foot in the natural world and one foot in the expressive without swinging too far one way or another...at least for now.

This doesn't exactly accurately represent the saturation of some of the colors, but it's close...

I've been watching some art programs on the Ovation channel lately and I had to pause one episode of Art in Progress to write down a quote.  The show focused on the artist Donald Sultan - I was not particularly familiar with his work and I liked it to some degree, although it was a bit to conceptual for my tastes (a topic for another time).  But, he said something that really struck a chord in me as I so often "overthink" things.

"One of the mainstays of making art is that you don't think of new ideas - you discover them.  So, that's why you have to work all the time.  If you go out and just lie around and start thinking and waiting, you know nothing is ever gonna happen.  And, the longer you wait, the more you realize that when you come back to it, you're right back where you were.  You're not any further along even though you thought and thought and thought - you didn't really go anywhere."  Donald Sultan

I appreciated this thought since I often like to spend time - too much time - thinking about what I want to do.  And, sometimes it's paralyzing.

Venturing Into Panel #3...

While I continue to play around with the layers in the first two panels, I've also been laying in base colors on the third panel.  Things have slowed down a teensy bit because of time off to celebrate Easter, but also because color needs are a bit more demanding. 

The first couple panels depict a scene we're all familiar with here on the Central Coast - a John Deere in the midst of rich brown soil and green hillsides.  There will be a little more color added in this part, but the limited color is intended for a sense of calm, familiarity, and contrast with the energy that's in the rest of the mural.



Each container is labeled with the different colors
used to mix that particular color

However, as I enter the "celebration" part of the mural, you can see that my collection of color mixtures is growing quickly.  For every color you see on the panels, there are usually 3 or 4 versions of it ranging from dark to light.  I'm also trying to mix a quantity of each color so that I won't run out right away.



Going for more bluish leaves on the cauliflour wave to stand out agains the warmer
green hillside and the green crops that will eventually be in the fields.

Today, I spent a bit of time playing with greens.  I have many different greens in this part of the painting - cauliflour leaves, broccoli, grape leaves, a strawberry plant...some are bright, others deeper, and still others, bluish.  Catch a wave...