Showing posts with label sketchbook. Show all posts
Showing posts with label sketchbook. Show all posts

Saturday, January 11, 2014

Capturing Movement...

Lots of activity lately which has given me a chance to do some gesture drawing.  I'll be doing a lot more of this - it's very helpful in learning about dynamic movement.


Last night, I found myself sitting on very uncomfortable benches at the skating rink while my daughter and friends skated for 2 1/2 hours.  I was able to observe and capture the movements of various skaters, young and old - some casual, some speedy, some wobbly.


This morning, I was at another daughter's soccer scrimmage.  This was more challenging to draw as skating offered a lot more repetitive movement and so was slightly easier to draw.  However, soccer is all over the place and positions are so fleeting.  Not to mention the fact that I get easily engaged in watching the kids play...


Sunday, March 24, 2013

The Real Story...


Easter vacation is coming and I'm hoping to work on some full-scale paintings.  In the meantime, I've been working on another study.  I've had a sketch in the sketchbook for a while - one of many familiar nursery rhymes that are always rolling around in my mind (my illustration side asserting itself).  In this case, those 3 men in a tub have wanted to be in a painting for a while.  HOWEVER, I've been wanting to merge the fine art and the illustration a bit more - although it might be a case of me finally accepting the fact that I can't separate the two.


New study in progress
Anyway, long story short, I was wondering how I could take this simple rhyme that kept calling for my attention and use it to glorify God.  The answer came in thoughts of Renaissance art history classes I had in college - paintings that were packed full of symbolic images that had religious, mythological, or historical meanings.  I always loved studying those art pieces as there were hidden stories within the compositions.  This project just seemed to fall right into that and, to tell the truth, I think it is road that I'm interested in traveling through more projects. 


One of the books that I kept from those days was a Dictionary of Subjects and Symbols in Art which explains multiple meanings behind different objects and scenarios.  The more I thought about it, a more complete tale began to emerge.  I'll elaborate more when the final product is underway.  See what you can determine from the study...

Rub-a-dub-dub
Three men in a tub
And who do you think they be?
The butcher, the baker,
The candlestick maker,
Turn them out, knaves all three

Saturday, May 5, 2012

Chef Study

The latest work in the garage involved a study of the chef.  After drawing and painting the original proposal, tracing/adjusting the figure on the panel, and now drawing and painting the study, I went back and looked at the chef in my sketchbook.  I did this when I was just playing around and brainstorming.  Drawing is more my strength and the sketch is much looser and fun. 

Original sketchbook "brainstorm" for the chef
The biggest difficulty and motivation behind the study was to figure out the right hand gesture.  But, since the study is small, I can only work out so much.  I kind of wish I'd gone back and looked at the sketchbook designs before I started painting - I might have taken the figures in a slightly different direction.  But, I also know that I'll always find something to second guess myself and I'm better off letting go of some things and letting the painting develop as it will (for sanity reasons).  The truth is that I'm learning a lot every day that I'm out there painting.  And, it's far from done - much more detail and "whimsy" will follow.

Photocopy of chef panel used in the projector and recent color study
My biggest lesson on this panel is the realization that the yellow that I purchased (which I chose because it was the most lightfast and permanent version of the yellow I needed) is probably the most transparent paint I picked up.  That explains why I've gone through more of it than any of the other paint colors.  It takes a lot more of it to cover anything and to create the mixtures that I've used for the various foliage.

In the past, I've had frustration with acrylic paint in general - mainly, the short drying time making which meant I had to remix colors frequently and the fact that it dries a slightly different color than it goes on.  But, with the Nova Color paints, the Sta-Wet Palette, and all the time spent working on this project, I can safely say that acrylics and I have made peace.  In fact, I plan to work with acrylic paint for more of my future illustration projects.

Monday, January 2, 2012

Another Quick Project...

This is just a quick project inspired by a lion sketch in my sketchbook.  Like the last image, I used a combination of gouache and color pencil.  I very much like this combination of materials right now - the layering of washes, the texture of of paint, the subtle shading of the pencils or the emphasis of line.

Overall, I'm not as happy with this as I was with the "rainy day" one.  I started in with darker brown washes than I had intended, so I had to rework it with a little thicker paint.  Jury is still out - but it's growing on me.  Might have to be redone before making it in the portfolio, though.

Monday, December 26, 2011

A Productive Christmas...So Far...

The cookies are baked, the presents wrapped (and now opened), and as the holiday chaos winds down I've actually been able to work on a new project.
A little doodle

Out of the many doodles in my sketchbook, I'm not sure why this child in a raincoat suddlenly caught my attention.  But, I've been trying to think of some designs (past, present, and future) that I could have made into prints this spring.

Ink with a little cloud - works alright with this drawing
but didn't hold much weight in color

Once I figured out the initial composition, I did a couple of studies.   I could picture many things so, at first, I really wasn't sure if I was going to do a moody pen and ink, tried-n-true ink with watercolor wash, or ???  Originally, I didn't have a background at all, but I felt that the child needed to be looking "at" something. The cloud started off small, but once I saw it in color, the cloud needed to be more substantial.  I can't decide if it's too big now, but it seems to work.

The end result in gouache and color pencil

But, as I've learned in the past few years, a drawing or painting will let me know what it needs - what materials are best suited for it and what direction it will move in.  It reminds me of what I need to do day-to-day when it comes to "listening" to God - I may have one vision of how my life should unfold, but if I take care to observe and address the situations that arise each day, then I tend to encounter the unexpected on my way to a beautiful outcome.  Sometimes (a lot of the time) it's scary, aggravating, or delightful, but always worth it.

Ultimately, this image called for the softness of gouache washes and the detail that could be achieved with color pencil.  I don't know how I could have envisioned it any other way.

Friday, September 2, 2011

Illustration Friday: "Mysterious"



Rupert was beginning to think the mysterious woman was never going to throw one of those balls...
  Since I’ve been working on a painting project over summer, the only drawing I’ve had time to do is on Sunday mornings (see previous posts). So, I was delighted when I finally carved out a little time to focus on the more detailed drawings I like to do. I worked on it a couple of days last week and then discovered that it fit this week’s IF theme quite well.
I drew this in my sketchbook and the funny thing is that I didn’t notice when I started that the book was upside down! So, it’s quite a surprise as you’re flipping through the pages. You’d think I’d notice that the wire binding was on the right and not the left, but that’s how focused I get when drawing.

Saturday, April 23, 2011

It’s Springtime!

That means it’s time for the annual realization among homeschoolers that the school year is running out followed by a refocused effort to reach goals, complete work, and get curriculum in line for fall. That also means that drawing projects are pretty much impossible for me right now.


However…I’ve found a few opportunities to work in the sketch journal, It’s forced me to seek and find something to record from the “everyday” without all of the extra planning and thought that goes along with an official project.


My 2nd effort during a trip to Barnes & Noble with commentary by the big-eyed redhead
(who noted that I was still doing a lot of writing and little drawing)
 
I prefer to work in pencil “on location” and then return to it later to ink and/or wash with color. I wouldn’t call my pages works of art in themselves, but I have thought about what a neat thing it will be to pass through the family. Perhaps it will end up in the hands of a great-great-grandchild who has never met me but will have this illustrated personal record of people, places, and things in my life. I like that idea.


At the park with Lindy.  Not colorized yet - maybe I'll get a chance once summer gets here.
 It’s also just nice to be able to keep up the drawing.

Friday, April 1, 2011

The New Sketch Journal...

I finished reading about the last artist in “An Illustrated Life” and I am now inspired to keep my own sketch journal. My sketchbooks have always been for working out project ideas, random notes and doodles, and a few studies. But, I really like the idea of chronicling details and memories. It will also keep me drawing, even though I don’t really feel like I have time to focus on a drawing project.


So, last night it was 76 degrees (F) at 8:00 p.m., the kids were in the process of eating (yes, a late dinner - it’s like that with us). I thought I’d take the opportunity to go to Panera with my sketch journal to sit outside with a salad and draw the people and things I observed. Of course, by the time I got everyone settled and drove over there, it was 8:40 and they closed at 9:00!



Well, I was determined to do something, so I sat outside in the dim lighting and tried to scribble something down.  This is my feeble attempt at a sketch journal page - my salad (which was tasty) in it’s To Go container. The closing staff was folding up umbrellas at the tables all around me and probably thought it strange that I was drawing my food, but there wasn’t much else to draw and little time to draw it. But, at least I started - I have a “first page” and look forward to more.

While reading through the book, it really struck me how every artist commented on having to slow down and take in the moment, and that everything about that moment is clear in their minds even 20 years later (Lord knows, I‘m not getting any younger and the mind‘s not getting any sharper). And, what a great thing to pass along to your children - hopefully something of value to your descendents - a little insight into the life of someone they’ll never get to meet.

Monday, December 27, 2010

Free Time At Last!

So, can you tell we’re on Christmas break? No school, no art classes (except for planning my next ones)…there’s actually a little time to think about illustration.


This one was inspired by a random doodle mixed in among dozens of doodles in an old sketchbook. I knew I wanted to do it with paint and I envisioned it in a very different, more painterly style than what I’ve been doing. My new gouache set provided the perfect opportunity to have a little fun with it (gouache is my new best paint friend). You can let me know what you think (please).

I had been thinking about my style recently, especially after my last post “Mail.” It was very much like the Spectator Ant I had done a couple years back, and I think I’ve managed to pinpoint some definite characteristics of my style - detailed, black line, watercolor wash. I like how that works for me. In fact, I think I’d like to try some different types of pen and play with different types of line. I’ve been doing these with Microns, but I’d like to try a pen with different nibs.

I’ve definitely decided that I’m NOT a color pencil person. While I like what some people are able to do with it, overall it’s not the best fit for me. I’ll only use it if the subject matter really demands it or for quick color studies.

All this thought about style brought me back to one of my earliest posts on this blog (has it really been almost 3 years?). I had read an article by Caldecott winner Paul O. Zelinsky where he said that the story dictated what style and medium was called for. And, you can see this in the variety of work that he has put out. I liked his philosophy as I tend to crave variety - I couldn’t imagine working the same way ALL the time. As much as I love how “Mail” turned out, I think I would get bored if I worked that way exclusively. But, on the other hand, I don’t want to constantly be “inventing,” either.

I guess I’m finding a happy medium by playing around with more than one style while ruling out others (for the most part). I like the style that’s emerging with the ink/watercolor and it shows consistency that, I think, would be helpful for future publishers to see. But, it’s refreshing (mentally, creatively, and - hopefully - professionally) to spend time with different approaches. I would think that versatility would also be a “plus” for publishers.  Am I wrong?

Friday, July 2, 2010

The Sun Reports For Work

I haven't had a lot of time or motivation for drawing these days.   I've been busy trying to do some things around the house and writing some online articles on various subjects.  But, luckily, I was able to combine the two passions when I did an article describing the process that I use for doing my "extreme doodles."

You can read the article and see this drawing unfold step-by-step at my Hubpages site by clicking HERE.

Otherwise, I hope you enjoy my latest "doodle."

Monday, June 7, 2010

Illustration Friday: "Trail"

Lots going on this week and I didn't think I would be able to get anything done.  But, then I remembered I had this bear drawing from a couple years ago - PERFECT!

Wednesday, March 31, 2010

Where did the last year go? Here's a Clue...


Well, it's been over a week since her actual birthday, but this picture was done right around then in the ol' sketchbook. Can't believe she's already 1 year old!!

She's very busy and quite the handful, but I'm seeing some opportunity to spend some time on developing that picture book idea previously mentioned. In the meantime, I don't see much opportunity to add much color to this blog - pencil and paper are just so simple and handy. Perhaps when I finish unpacking studio stuff over Easter Vacation, then maybe I can at least locate my colored pencils.

Until then, there'll be lots of baby and dog pictures in pencil.

Wednesday, March 10, 2010

Post-Disney Doodles

Just trying to keep the momentum going with the drawing. I really wasn't able to do any drawing at Disneyland like I thought I might. But, I never really had the chance (even waiting with the baby for others to get off of rides). So, I took a bunch of pictures of interesting shapes and architecture to have fun with at a later date.

I did get a couple marks on a page once before being interrupted, so I just came home and doodled with them. Here's the result...fun stuff.

Tuesday, March 2, 2010

Illustration #5 - I Sorta Took A Shortcut

Ok, I'basically had 1 day to do this last drawing since we're leaving on a family trip tomorrow and my son's going to turn his project in before we leave. Soooooo, rather than redrawing the original sketchbook drawing, I just went over it in ink with very few adjustments. Therefore, I'm now noticing an issue with the position of his legs and foot - not quite right. But oh well...




Do I still have my pouch of ammunition and gunpowder? Yes, I do!



One thing that I'll take away from this little mini-commission is the importance of time management. I need to expect to do multiple drawings for a single illustration - in some cases, probably lots! But, this was fun - hope I get an "A."


Now, it's off to Disneyland. I plan to take the sketchbook as we'll have to take turns waiting with the baby for some of the rides - I'm guessing she won't make the height requirement for Space Mountain.

Sunday, February 14, 2010

Babies and Dogs

One thing that's sweet about having a very young child and a dog is that the picture book ideas just reveal themselves as you watch them interact. I've got a couple that I think might be worth pursuing. So, today I was motivated to start doing more sketches of Lindy while she's still small. I want to catalog a lot of different poses for when I have time to work on a book.




She happened to be napping on the floor this afternoon (hey - if she's sleeping well where she's at...). I liked the angle I could see from my spot on the couch - a little foreshortening. Unfortunately, I didn't work small enough to fit in the foot that was hanging out of the blanket. But, I was happy with how it came together since I was working really quickly - you never know how long she's going to stay still (even when she's sleeping). The other sketches were done really quickly since she was awake - hard to get the right proportions!

I'll be sketching the dog, too.

Thursday, November 26, 2009

Animals...and the End of a Sketchbook

I really appreciate this family image.



I really enjoy drawing these animals - it's so much easier now. Not because my skills are so much better than when I was in college (although there has been improvement). It feels more psychological than anything else. It's a lot easier to relax and enjoy when you're not rushed by deadlines or have grades looming over every project.
Anyway, this set of drawings brings me to the end of my sketchbook. I started it about 10 years ago and this is its last page. I've filled other sketchbooks in the meantime. I set it aside many years ago when I was doing other types of art and little-to-no drawing. I found it and its many empty pages when I finished my last sketchbook (musn't be wasteful).
A whole book of blank pages awaits...

Tuesday, November 17, 2009

Some Animal Studies


It's been a while since I've done this, but I've done a few more animal studies on my break at work.






There's a face that only a mother could love.




Monday, November 9, 2009

Illustration Friday: "Blur"



"...what happened next was just a blur."


This was another doodle from the sketchbook that I was playing with at the soccer field last weekend. Although I wasn't going for a repeat of an earlier picture, once I had the worm image developing, it only seemed logical to put in a bird. So, I'm re-posting the other - more whimsical - worm/bird picture called "An Invitation to Dinner." As you can see, the new one is a bit more ominous.


I like to see different approaches to similar ideas. In fact, that would be a fun exercise.

Monday, June 22, 2009

Just for fun...


Just on a whim I started some doodles, using the same shapes as a jumping off point for each - the circle within 2 circles as shown at the top of the page. Even though I didn't have a specific idea of what to do most of the time, I would just build on the shapes and see what they became. Inevitably, once you eliminate the obvious, you just build and build, but it doesn't really become anything in particular (i.e. the thing at the bottom). Still, it's pages like this that can lead to future projects.

Tuesday, June 16, 2009

Nothing's ever simple...


I found a character sketch in my sketchbook that I thought would work for this weeks Illustration Friday theme "unfold" - as in, "how will this scenario unfold?" I want to keep on with the painting practice, so that's my intended medium.


As I drew out the scene, I realized that this would be best as an interior setting in dim light.


Some of my favorite works that others have done have been set in low light - either outdoors or indoors. But, I've never really done one of my own before. Of course, that means approaching light and color in a way that is new to me. Therefore...research and color studies. And, if you've never stopped by James Gurney's blog, he's an outstanding artist and a regular wealth of technical art instruction. I did find some great images of light and color (albeit outdoor scenes) that have inspired me.



Anyway, rather than simply being able to sit down and start creating, I've had to do samples of different color mixtures, mainly in the blue and purple range mixed with black and umber (I already have studies of complements). Sometimes there's a sort of glow that can come from whatever the light source is, so I've also done a few mixtures with yellow.


I don't usually post my prelim sketches and studies for an IF theme, but then this is much more involved than usual (nothing's ever simple). But, I now have a nice reference sheet, although I can't say exactly which color I'm going to use in which part. I guess I'll just dive in and we'll see how this all "unfolds..."