So Much For Being "Done"...

A rare day-off for Lincoln's Birthday, the big kids all gone to friends' houses, and a little sunshine on the front patio means that my littlest can have fun playing out front while mom updates things on the laptop.

Spring flowers have already arrived.

Anyway, didn't I say I might just tweak the painting a little?  Well, that wasn't exactly true.  When it came down to it, I think I tweaked it a lot.  Of course, it may not look different but, with a little close observation, one might notice differences.  Frankly, I became frustrated with the 2 flowers on the right - they became rather muddled by overworking with to many colors - I even completely painted out the bottom one and started over.

I think it's done - but I'm still not happy with the leaf - I'll just tweak it a little...

Light was an interesting challenge as I had a changing light source (a south-facing window) to my left which caused moving shadows and a secondary interior light overhead/right which created shadows of its own.  I realized that I was giving conflicting information with cast shadows of the flower petals on both sides of the vase/creamer, but I liked the shapes and decided to keep them.  And that's what was truly liberating about this project compared with the first one which was much more dependent on observation.  For this one, I gave myself permission to use more artistic license and mostly responded to what was happening on the paper.  Besides liking the shapes of some of the shadows, I also liked the orange from the flowers reflected on the porcelain surface - it wasn't nearly as pronounced in real life, but I liked it in the painting.

I still have dreams of one do doing a "quick" little still life that captures its essence with a minimum of strokes... (sigh)

A Different Perspective...

On this lovely afternoon, I was able to spend time painting.  I realized that the little still life I just painted was OK, but...something about it isn't sitting well with me.  I'm happy to be more comfortable working with acrylic paint, but it's still falling flat.  That contrast that I like to emphasize just wasn't there once the colors dried.  Also, I wanted to try something a little looser now that I'd solved the question of colors and mixing.  So, I decided to try it again from a slightly different angle.

First paint (left) and today's painting (right)

I definitely like the 2nd one better - it has a greater level of contrast and it is slightly looser (although I think total reckless abandon just isn't how I was created to paint).  There's still a little tweaking that I'll do, but it shouldn't change too drastically from this.  One thing that I thought about while painting was how much easier color mixing has become.  In the early days of painting, color mixing was a little confusing - sort of hit or miss.  But now, I have a better sense of whether I should add a blue, a brown, or a black for a shadow; whether I should add a white, a yellow, an ochre, or some other color for a highlight.  I'm actually quite happy with my painting now - I want to have one foot in the natural world and one foot in the expressive without swinging too far one way or another...at least for now.

This doesn't exactly accurately represent the saturation of some of the colors, but it's close...

I've been watching some art programs on the Ovation channel lately and I had to pause one episode of Art in Progress to write down a quote.  The show focused on the artist Donald Sultan - I was not particularly familiar with his work and I liked it to some degree, although it was a bit to conceptual for my tastes (a topic for another time).  But, he said something that really struck a chord in me as I so often "overthink" things.

"One of the mainstays of making art is that you don't think of new ideas - you discover them.  So, that's why you have to work all the time.  If you go out and just lie around and start thinking and waiting, you know nothing is ever gonna happen.  And, the longer you wait, the more you realize that when you come back to it, you're right back where you were.  You're not any further along even though you thought and thought and thought - you didn't really go anywhere."  Donald Sultan

I appreciated this thought since I often like to spend time - too much time - thinking about what I want to do.  And, sometimes it's paralyzing.

The Longest Quick Little Painting Ever...

I'm sure I mentioned somewhere something about doing quick and loose little paintings to play around with the medium and have a little fun.  I have a small space in the corner of my room which has been great for drawing, but lacks the space and storage for painting projects.  Normally, it wouldn't take to much time to set up a quick little still life, scoop some paint onto my Sta-Wet palette, and get down to business.  But, throw in household duties, homeschooling duties, helping Grandma run some errands, dentist appointments, soccer games...well, a 1-day activity turned into several days.

Day 1 - I managed to put together the still life before I had to run off somewhere. And, a day or so later, I quickly sketched the shapes onto my pre-primed paper (I had primed several pieces of paper weeks ago, so at least I didn't have to do that).

A couple days later, I had to come up with a solution to paint storage - I have no place in my room for the pint and quart size Nova Color containers.  So, I grabbed some small Gladware (or whatever brand) containers and transferred the colors I'd be working with.  I have a plant stand to set the palette on next to the table.  I was able to soak the palette paper and get it set up before having to call it quits.

Finally, yesterday afternoon, I actually got to paint.  I had envisioned a quick painting that would have beautiful color and contrast in relatively few strokes - HA!  My reality is that I layer and layer, push and pull, building values...maybe now that I've practiced the shapes and colors, I could put something together that's looser without losing the color and contrast that I like.  Perhaps I'll do that next.

Anyway, I think this is my first non-illustration project since I don't know when.  I'm excited about more exploration - I just hope it doesn't take so many days to do one little painting...but, it probably will!

Why Am I So Complicated?

I always have the best of intentions - my plan was to start working on small scale and simple still life paintings to play around and further explore acrylic paints.  I’ve been going around the house selecting objects that might make for visually interesting paintings.  As usual, as I start putting things together, a story begins to grow, more specific items are then needed, and the next thing you know I have a large-scale project in my mind!  Not only do the concepts go from simple to complex in seconds, but many of the items that interest me are very detailed.

A few of the objects I've collected for still life paintings

S-I-M-P-L-I-F-Y…why is that so hard for me.  I guess my personal challenge to myself is just to grab some basic items (nothing fancy), throw them together on a table, and see what comes out.  It all comes back to that balance I need in my work - in this case, the balance of the conscious and subconscious.  In other words, it’s time to shut off the brain a little, quit over-thinking things, and "play."

Game on...

Time sure goes by quickly these days! The end of the school year is closing in so we’re trying to keep on track, although spring fever is hitting us all pretty hard.

I have a confession to make…I have been cheating on this blog. That’s right. It all started so innocently. I was browsing the want ads in our local paper, and that’s when I saw it. It was an ad for an opportunity to write at home and - just maybe - earn a few dollars. Well, since I am currently unemployed and I enjoy writing, I guess I caved to the temptation.

So, I’ve been writing a few articles at HubPages to try to supplement the income…of course, it really takes time to build up any change. I’ll probably only make a dime in the end and won‘t see a cent for years…but it’s been fun.

In the course of my recent writing, I started browsing the works of a few still life artists that I like. One of them is 20^th Century artist Giorgio Morandi. I first encountered his work in college, but I don’t think I was as impressed then - it was my vibrant German Expressionism phase. Morandi’s work was completely opposite of my interests at the time, but I really appreciate it now.

Perhaps in my hectic and noisy life, his still lifes are a quiet and uncluttered refuge. I like the neutral tones of his paintings and the minimal details which are so contrary to my own style. The linework on his drawings adds life - a very nice balance to what would otherwise be considered bland compositions.

Another artist whose still life work I enjoy is Wayne Thiebault. Again, I am drawn to him for his difference from my own style. I always liked the thick application of paint and his colors (or maybe I'm just hungry). I’ve always wondered how painters who work so thick financed all of that paint (at least as a student)! In college, I always worked small and thin since I was afraid I wouldn’t be able to buy more paint when I needed it.

Well, I don't post other people's work that often. My plate is pretty full at the moment (and not with cake and ice cream). Summer's coming - things will change to some degree...although my toddler is getting clingy and busy busy busy!