Putting the "Fine" Back in Fine Art

Studied this period in college - LOVED IT!

These past few weeks have been a whirlwind of planning, ordering supplies, phone calls, emails...but it looks I will have full classes, or near full, for the first installments of my art class series for kids.  I've putting A LOT of time and thought into it, in spite of the fact that the decision to go forward was only made a few weeks ago.  I hope people are as happy with the classes as I am.

"Twittering Machine" - Paul Klee

Just Lovely

I've been on a search for reasonably priced reproductions to add to the few I've saved over the years - not an easy task.  But, I think I've found some options.  In the process of all this, however, I found myself back in the midst of some college art school feelings and memories.  It seems so long ago...but then again, it doesn't.  I can still smell the linseed oil and turpentine in the studio classrooms. 

Anyway, that's when I was thoroughly drenched in the world of "fine art."  I started to think about how I used to be able to frequent galleries and museums around L.A. - I'm especially missing the museums - there's nothing like seeing good work in real life.  Books and prints can never seem to capture the whole impact of an artist's work.  It's just not the same.

Kandinsky

It's been fun browsing through all of the images available to view online (though not necessarily purchase or copy).  It's made me remember how much I enjoy looking at GOOD art.  For me, that mainly means representational work (not always, though - everything shown in this post are images I like). I do enjoy some abstract work, but it's hard for me to get excited about a giant gray square or drippy paint splatters, even when seeing them in real life.  I don't like having to read an explanation in order to get anything out of the piece.  But, that's just me - I like to see a story being told.  I guess that's why I've gravitated toward illustration. And, that can be done with surprisingly little information sometimes.

Morandi - Master of the "peaceful" still life

I'll be the first to say that I was never a very good artist in college (several reasons for that probably) - I'd like to say that I've improved over the years...in some areas, at least.  But there is soooooooooo much art out there that just isn't very good.  It seems that a lot of people are "successful" - mainly because they can talk a good game and "sell it" - skilled or not.  Excuse me, my disillusionment with the "fine art" world is showing.

Romare Bearden

Well, that was a long time ago.  Now, I'm enjoying my search for reproductions to use - I just can wait to share some of them with the kids.

Time sure goes by quickly these days! The end of the school year is closing in so we’re trying to keep on track, although spring fever is hitting us all pretty hard.

I have a confession to make…I have been cheating on this blog. That’s right. It all started so innocently. I was browsing the want ads in our local paper, and that’s when I saw it. It was an ad for an opportunity to write at home and - just maybe - earn a few dollars. Well, since I am currently unemployed and I enjoy writing, I guess I caved to the temptation.

So, I’ve been writing a few articles at HubPages to try to supplement the income…of course, it really takes time to build up any change. I’ll probably only make a dime in the end and won‘t see a cent for years…but it’s been fun.

In the course of my recent writing, I started browsing the works of a few still life artists that I like. One of them is 20^th Century artist Giorgio Morandi. I first encountered his work in college, but I don’t think I was as impressed then - it was my vibrant German Expressionism phase. Morandi’s work was completely opposite of my interests at the time, but I really appreciate it now.

Perhaps in my hectic and noisy life, his still lifes are a quiet and uncluttered refuge. I like the neutral tones of his paintings and the minimal details which are so contrary to my own style. The linework on his drawings adds life - a very nice balance to what would otherwise be considered bland compositions.

Another artist whose still life work I enjoy is Wayne Thiebault. Again, I am drawn to him for his difference from my own style. I always liked the thick application of paint and his colors (or maybe I'm just hungry). I’ve always wondered how painters who work so thick financed all of that paint (at least as a student)! In college, I always worked small and thin since I was afraid I wouldn’t be able to buy more paint when I needed it.

Well, I don't post other people's work that often. My plate is pretty full at the moment (and not with cake and ice cream). Summer's coming - things will change to some degree...although my toddler is getting clingy and busy busy busy!